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Up Close & Personal with Sam Kiszka of Greta Van Fleet

By Contributing writer and photographer Song River The land of Michigan has given the world a deluge of multiple necessities and sheer pleasures outside of what at one time was the auto industry mecca. Like its heart and soul of the blue collared working person that breeds an indelible, almost pioneer spirit, the music from here reflects its surroundings as once again this 26th state, added to the Union in January of 1837, is having a rebirth. The possibility of this land known warmly for its industrial explosion in the region of the Great Lakes is now standing at possibly a new dawn... the creation of being a strong contender for the music scene, much like Nashville is today. With this in mind, the resonating rock and blues plus more yet to be revealed have begun with the band, Greta Van Fleet. They are poised and ready to bring the elements of rock n' roll up to the next level. Recently bassist Sam Kiszka of Greta Van Fleet took some time out while they are on tour to

Interview with Kirk Reed of The Reed Effect

Randy Stillwater: Who is The Reed Effect and what does your band bring to the table when it comes to sound and meaning? Kirk Reed: I began The Reed Effect after my solo album, 'Kirk Reed' and it's had a couple incarnations/lineups since. The most important and relevant being the 5 years my brother Chris was in the band. The real 'Reed' Effect. This band ultimately is about bringing the audience and listener to a higher plane of existence. Whether it's during a live show or in a recording. We have some lyrics that can be considered angry or rebellious. But, even with that, it's about the release and letting go of negativity. Randy Stillwater: What inspires you about the music scene you have in the area? Kirk Reed: The Toronto music scene is a very supportive network of musicians and bands. We're very supportive of each other. Randy Stillwater: What is something The Reed Effect has done to help the band scene that has improved or brought attention

Up Close with Jessica Jackson-Salvucci of ANARIA

Raquel Thompson: "Alone" certainly was taken and covered by Anaria in a way that showed respect to the powerful women of rock, Heart. How did you feel you connected to these two women who helped blaze a trail in this world of music? Jessica Jackson-Salvucci: Thank you, we had such a fun time putting our spin on it! I think it would be hard for any woman in rock to not think of or be inspired to some degree by Ann and Nancy Wilson and their contributions to the rock industry. Heart is credited as one of the first female-fronted hard rock bands ever so in many respects, I see them as some of the "founding mothers" of female-fronted rock and metal. Like me, they had a varied background in music. Content-wise, Heart has always walked this line between badass and beautiful, and that is something I have always endeavored to do as a singer and performer. Raquel Thompson: Reflecting back on your music career, what have been some of the most challenging things you have h

Song of the Month Anthrax’s “Black Lodge” From the full-length studio release, Sound of White Noise

By Octavio Ramos Jr. “Worship the ground, you barely walk on You give of yourself but your angels are gone Deny, your body is screaming But your heart and your soul, they’re bleeding Just to fall asleep is a godsend Until your demons appear again I am a witness to your demise” Lyrics © Universal Music Publishing Group Founded in 1981 by guitarists Scott Ian and Danny Lilker, New York’s Anthrax is considered one of the original “big four” of thrash metal, alongside colleagues Metallica, Slayer, and Megadeth. The band has expanded its sound throughout the years, influenced by alternative metal, grunge, and even hip-hop. To date, the band has released 11 full-length studio albums, as well as several live albums, compilations, and EPs. In 1993, Anthrax released their sixth studio album, titled Sound of White Noise . The album was the first for new vocalist John Bush (Armored Saint), as well as the final album for longtime guitarist Dan Spitz. Sound

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