Mother Mother
Fairy Bones
*KWSS TMI Radio
03/06/2015- Song River
(Silverplatter)
When a music venue strikes success with a particular event, and it is duly noted to be a sold out crowd, you know unequivocally you've placed the cherry combo of musicians together.
Opening
the evening was “Fairy Bones”, a synth-bite of power
house poppish-wave, as unabashedly lead singer, Chelsey Louise, sent her powerhouse vocals undulating and spinning energy. Chelsey danced, jumped and
flirted her way into the hearts of the crowd, creating new fans and
moving established fans to unite.
Fairy Bones
*KWSS TMI Radio
03/06/2015- Song River
(Silverplatter)
When a music venue strikes success with a particular event, and it is duly noted to be a sold out crowd, you know unequivocally you've placed the cherry combo of musicians together.
This
past Wednesday evening after a very hot Arizona day, the Valley was
entertained by two bands: Fairy Bones (A local Phoenix favorite) and
by Canada's own synthpop danceable beat of, Mother Mother. A set fan
base, the demographic age selector and culture fit the crowd to the
music, and the chatter was uplifting positive to both bands. Several
people I spoke with commented that they had driven in from other
parts of Arizona and California to hear Mother Mother, and the
meeting of the fans expectations became quite clear from the very
first step made onto the stage.
Opening
the evening was “Fairy Bones”, a synth-bite of power
house poppish-wave, as unabashedly lead singer, Chelsey Louise, sent her powerhouse vocals undulating and spinning energy. Chelsey danced, jumped and
flirted her way into the hearts of the crowd, creating new fans and
moving established fans to unite.
The overheard scuttle among some in attendance was they hadn't yet heard
Fairy Bones, but had heard 'good things'...their anticipation was
soon satiated as the band Fairy Bones always sets forth to do. Lead
guitarist, Robert Ciuca, and brothers on bass and drums, Ben Foos,
and Matthew Foos, are a concentrated well oiled machine, family in
music and passion there in lies all of their strength.
Fairy
Bones shows that they love what they create, and they are hungry
and passionate to give the music world their abundant musical
munchies. (“Dramabot”, is Fairy Bones latest album release).
“Mother
Mother,” a
vocal harmonizing group out of Vancouver, British Columbia, from the
onset gave the crowd their energetic motions of we are here to bring
forth our latest album, “Very
Good Bad Thing.” (VGBT,
album number four, was released here in the states April 2014, under
Def Jam records).
Lead
front-man, Ryan Guldemond, complimented on either side with
synth-boards in stand, Molly Guldemond and Jasmin
Parkin connected
to a well established fan base. Inevitably and with predictability
Ryan took his guitar, and tauntingly drove his 'tude to a more than
willing audience, effortlessly the audience was captivated. As Ryan
would lean his long lanky body with guitar in motion into the crowd
of adoring, cheering fans and the crowd responded with as much
appreciative fervor... he made his connection. Along with bassist,
Jeremy Page, who kept the bottom line effortlessly, and Ali Siadat
bringing his intentions upon each strike on his drums there wasn't
one song played that the crowd did not sing along to and not one fan
who wasn't given exactly what they desired.
Danceable
overtures of '80's pop with a touch of psychedelic-glitter wave,
Mother Mother related all their elements and spread their borders
even further down towards Mexico way.
Total
satisfaction, total elation, total completion came down and was
handed over by Fairy Bones and Mother Mother. A spot on billing, as
The Pressroom set an event that brought the predictability
foretold to an evening of great success.
*Dare I suggest? Mother Mother... modern day ABBA?
Banshee
Monkey Tree
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